Alan
Babayarov

Garments that were never sewn but hang correctly. Cut and simulated in CLO3D and Marvelous Designer, detailed in Blender, staged in Unreal Engine 5 — burning villages, real-time light — with AI used where it sharpens the image, never instead of the cut.

stack

CLO3D · Marvelous · Blender · UE5

output

look films · turntables · stills

films

N°01 look film · N°02 turntable

The present tense of the studio. Toolor is a casual-mix-outdoor brand I design at Cool Group — one of the three largest garment manufacturers in Kyrgyzstan. Nomad DNA cut for the street and the mountain: puffer lines, heritage capsules, summer linen — produced at factory scale, sold across Central Asia and exported to Russia. Its capsule statement is RUH: Nomad Core, launched with an AI-assisted anamorphic film.

role

brand & collection design

factory

Cool Group · Kyrgyzstan

lines

MUNTAMA · SANDYK · TESLA · RUH

market

Central Asia → RU export

link

@toolor_official ↗

CAMPAIGN · NOMAD DNA

The studio's own laboratory. EULER is a brand built like an equation: π woven into hems, ornament systems compiled into logos, AI image-making directed with a tailor's hand. Pop-ups, prints, editorial — one universe, art-directed end to end.

role

founder · creative director

system

identity · print · pop-up · editorial

instruments

AI pipeline · ornament codes

link

@eulercentralasia ↗

AI artist at ARTÉ.FACT — a creative/design bureau where the team and I produce commercial videos and photoshoots for brands entirely through an AI pipeline. Concept, casting, light, camera — all directed; none of it shot. The showreel runs one minute; the clients are real.

role

AI artist · direction

bureau

ARTÉ.FACT · Bishkek/KG

output

commercial video · photo · key art

film

N°04 · commercial showreel · 1:00

links

@artefact_mag ↗ · @artefact.bureau ↗

An authored digital collection where Tengrian myth, Soviet post-apocalypse and shamanic totemism are compiled into garments. Looks are cut in CLO3D and Blender, then pushed through Midjourney v6, SDXL and Runway ML until cloth reads as folklore. Every pattern is a mantra; every mark, an algorithm of the spirit.

stack

CLO3D · Blender · MJ v6 · SDXL · Runway

output

looks · posters · mood film

film

N°05 · vertical · 0:10 · sound

A commission for the artist Rapha: a full-body suit built in CLO3D and printed edge to edge with UV-fire ornament — a phoenix tree over the chest, dotted ember currents down the legs. Made to be seen at night, in the desert, from a hundred metres.

client

Rapha · Burning Man

build

CLO3D fit · engineered print

output

suit · print system · look

An extended-reality exhibition staged in Bishkek, 2023. Sculptural 3D objects built for virtual reality and walked through in VR headsets; physical works carrying AR tags of the EULER brand that opened AI-generated layers on a phone screen. One room, three realities.

format

solo show · XR install

stack

3D objects · VR headsets · AR tags · AI visuals

venue

Bishkek · 2023

link

@kozdujno ↗

Content for MADH, a sub-brand of Acne Studios: I created the imagery and adapted it with AI into their photoshoots — fitting-room takes regenerated into clean lookbook frames, light and set rebuilt around the garment while the clothes stay true to the rack.

brand

MADH · Acne Studios

role

content · AI adaptation

pipeline

shoot → AI pass → lookbook

link

@madh.official ↗

Art direction and styling for Qoorchaq — a project that speaks about domestic violence through Kyrgyz myth. The deer-mother's antlers worn as both crown and cage, mourning veils lit by fire, a skull chained to the hearth: the imagery says what the victims are not allowed to. Shot on film, styled to be read as folklore — because that is where the silence hides.

role

art direction · styling

theme

Kyrgyz myth × domestic violence

medium

photo series · costume

link

@qoorchaq ↗